Sabra Pegler or the ascent of a freelance writer expert: Find out what your committee wants and expects from your work. Following the advice about feedback above, find out what kind of writing your committee expects. Read novels completed by students they have worked with before. Ask them often what kinds of expectations they have for your chapters, and your project: what kinds of sources, how footnotes get used, the structure of chapters, how they feel about headings, and more. Knowing expectations will help you write effectively to your audience, and communication is key to avoiding potential pitfalls. But remember that this is your novel. At the end of the day, this is your work. It represents who you are as a scholar (for now, anyway). Stand up for what you think is important, and for what you want to say. Trying to please the entirety of your committee may be impossible, and at the end of the day it is up to you to know what you need to write.

Know when to read. Write sooner, write continually, and write in order to rewrite. But you need to know when you are churning an empty barrel. Reading and research should be a stimulus to write and you need to know when that stimulus is needed. Be willing to stop writing for a short period so that you can refresh your mind with new ideas and research. Establish chunks of time to research and write. While it is important to keep writing and make the most of the time that you have, it is best for writing projects specifically to set aside large portions of time with which to write. Writing requires momentum, and momentum gathers over time. Personally, I have found that I need at least an hour to get things rolling, and that three to four hours is ideal.

The discussion is where you explore the meaning and implications of your results in relation to your research questions. Here you should interpret the results in detail, discussing whether they met your expectations and how well they fit with the framework that you built in earlier chapters. If any of the results were unexpected, offer explanations for why this might be. It’s a good idea to consider alternative interpretations of your data and discuss any limitations that might have influenced the results. The discussion should reference other scholarly work to show how your results fit with existing knowledge. You can also make recommendations for future research or practical action. See extra information at https://about.me/sabra-pegler-27.

Experiment with Different Writing Styles: Don’t be afraid to experiment with different writing styles. Try writing in first-person, third-person, or from different perspectives. Play with different tones and moods to find the style that best suits your writing. Seek Feedback and Criticism: Getting feedback and criticism from other writers can help you improve your writing skills. Join a writing group or take a writing workshop to connect with other writers. Share your work and be open to constructive criticism. Use feedback to identify areas where you can improve your writing.

Who is Sabra Pegler and some of her creative writing achievements: Think of like looking at the wind through a window. You can’t see the wind, right? The wind is invisible. But at the same time, you can see the wind because of its impact on the things that are visible. You see the leaves flapping. You see the surface of a puddle ripple. You see a girl hunched inside her coat, her hair blowing into her face. You see someone try to light a cigarette and the match go out. Abstractions like Love and Death don’t look, sound, or smell like anything. But they affect everything around them. And you can describe the places they’ve touched.

Claim writing time by learning to say no. One of the challenges of writing a dissertation is being surrounded by people who don’t understand; some of your colleagues, friends, and family likely have no idea what writing a long form project like a dissertation is like. It is hugely overwhelming and distracting, and you need to be able to say “Go away, I’m writing.” Sometimes this means turning down a seat on that committee, choosing not to go to that concert, or kicking your friends out of your office. My friends often struggle with the fact that I don’t have the free time to spend with them that I used to, but it is important to my sanity to say “no” every now and then, as much as I hate it.

Assonance is when vowel sounds are repeated in two or more words that are close to each other in the poem and have different consonants. An example of this would be “The octopus flopped on the cot – kerplop!” Several words in the example contain the short “o” sound, but the words contain different consonants. Read more info on Sabra Pegler from Brainerd Minnesota.